The company’s founding in 2017 is the culmination of this journey,
driven by the desire to create a structure dedicated to digital restoration,
colour grading, and technical post-production for feature films.
This daily restoration practice has made it possible to develop
a rigorous methodology and a strong command of the professional
digital restoration tools used in the film industry.
Over the years, this experience has evolved towards film restoration,
sound restoration, image and sound synchronisation,
and then digital image restoration, colour grading,
and feature-film conforming.
This journey began with the digitisation and restoration
of analogue audio and video media, building in-depth expertise
in historical formats, preservation challenges, and the deterioration
associated with time and magnetic and film-based media.
Founded in 2017, the company builds on more than twenty years of experience
in audiovisual archiving, image and sound restoration,
and technical post-production for cinema.
O u r S t o r y
We now work across restoration, conforming, colour grading,
sound restoration, and the finalisation of cinematic works,
from digitised source elements through to the creation
of deliverables for theatrical, television, and platform release.
We work in collaboration with technical partners
for film scanning and, when necessary, film-out,
enabling us to fit into a complete restoration
and production workflow.
Our work is guided by one essential principle:
respecting the original work
its image, pace, texture, and sound balance.
Film restoration and post-production are precision work,
requiring time, experience, and complete technical mastery.
Each film requires a specific approach, tailored to its condition, format, and aesthetic.
Our job is to work on the film without making our intervention visible.
